Mirageman
December 12th, 2007I first read about this movie on Ain’t It Cool News, and intrigued by the real-world superhero premise (and the promise of cool martial arts action) , I took a look at the official site here.
The site itself isn’t terribly impressive but does the job certainly. Clicking on the “Watch The Trailer” link opens up a new browser window with the trailer on youtube.
The movie, which has been getting a lot of positive reviews thus far (the film was shown at Austin’s Fantastic Fest and at the Valdivia Film Festival in Chile), was written and directed by Ernesto Diaz Espinoza and stars actor and martial artist Marko Zaror in the pair’s second onscreen collaboration. The first, Kiltro, has the distinction of being the first ever South American-produced martial arts film.
Here’s a synopsis of the film’s story:
Maco (Zaror) leads a solitary existence, training and practicing martial arts during the day and working nights as a bouncer for a local strip club. He and his younger brother Tito lost both their parents to violent crime, and ever since the attack, Tito has been living in a catatonic state in a mental institution where Maco visits him often.
One night Maco stumbles upon a young Chilean woman about to be raped by a gang of street thugs and, wearing one of the criminal’s masks to protect his identity, intervenes using his finely-honed martial arts skills to overpower the attackers.
The very next day, the intended rape victim, a television news reporter, praises her savior’s heroic deeds on national television. To Maco’s surprise and delight, Tito reacts to the news of a masked vigilante, showing interest again in the world around him. Hopeful that his younger brother will finally emerge from his catatonic state, Maco decides to become the costumed crimefighter everyone, including his brother, believes exists.
I want to see this movie for a couple of reasons.
For starters, it’s been awhile since I watched a decent martial arts flick, and from what I’ve read and seen so far, Mirageman looks promising.
Secondly, I like that Zaror’s Maco has a good, emotionally valid reason to become a costumed vigilante.
I’ll post a review some time later when I finally get a chance to see the film.





